Watching HIDDEN FIGURES

I regret that I haven't seen this movie, Hidden Figures, sooner.  What a remarkable movie and timely a movie it is.  It is sad that the racial discrimination issues that the film depicts about from decades ago are forefront to our political environment theses days.

The movie is about 3 African American women working at NASA during the fledgling first of period of the space race between the US and USSR.  The film is a star-studded cast of actors which deserve kudos:   Taraji P. Henson as Katherine Johnson, Octavia Spencer as Dorothy Vaughan, and Janelle Monáe as Mary Jackson.

The movie is brilliant.  I'm going to watch it again.  It is so hopeful in these days of terror we live in.  It tells the saga of three black woman who work at NASA and ultimately become the most part of NASA's early space missions, with their mathematical calculations and ability to master the new computer systems.  Talk about pioneering!

This film tells the true story and does so with a masterful team of actors also, including actors Kevin Costner and Kirsten Dunst.

I used to watch all Academy Award nominated films before the awards.  I failed miserably this last last award season.  

This movie is fantastic.   Please see it.  I seldom find movies to watch that are interesting and worth the effort.  This is definitely one of them.

Film Actresses who SHOULD HAVE won an ACADEMY AWARD but haven't yet....

Okay, so I have a beef to pick with the film industry.  Why haven't these outstanding actors not yet won an academy award.   Each of them have been nominated multiple times and their film portfolios are remarkable.  Is it that there aren't enough scripts written for females?  I'm pissed.  Every single one of these women should win and Academy in the near future.

Thoughts?  Did leave someone off the list.   I considered Cameron Diaz but wasn't sure that she is in this league, yet.  Although I love her and her all of her work.

Michelle Pfeiffer (nominated for three Best Academy Actress awards)



Glenn Close (nominated for six Best Actress or Best Supporting Academy Actress awards.....she has won THREE Tony Awards for her stage work)



Laura Linney (nominated for three Best Actress or Supporting Academy Actress awards)


Julianne Moore (nominated for four Best Actress or Supporting Academy Actress awards)


Annette Bening ( nominated for four Best Actress or Support Academy awards)

And the OSCAR(s) go to.......

A.M.P.S.

Well my favorite night of the year is tomorrow night.  The Oscars!

Just went to Django Unchained today.  I was shocked at how good I thought it was.  

So, after Django, I've seen all nominated best pictures this year except for Amour.  I didn't see The Master which includes Best Actor, Best Supporting Actor and Actress.

But I feel quite confident to make predictions. I'M HOPING THAT MY PERSONAL PREFERENCES WIN OVER MY PREDICTIONS (SEE BELOW). Here goes....my predictions for tomorrow night's Oscar winners:

PREDICTIONS

Best Picture

Argo

Best Director

Steven Spielberg (Lincoln)

Best Actor

Daniel Day-Lewis (Lincoln) 

Best Actress

Jennifer Lawrence (Silver Linings Playbook)

Best Supporting Actor

Christopher Waltz (Django Unchained)

Best Supporting Actress

Anne Hathaway (Les Miserables)

Cinematography
Janusz Kaminski (Lincoln)

Film Editing
William Goldenberg (Argo)

Writing (Adapted Screenplay)
Tony Kushner

Writing (Original Screenplay)
Zero Dark Thirty

Unfortunately, the Oscar winners do not always reflect the very best performances of the year.  So, in light of that, here's my opinion (caveat:  not having seen Amour or The Master), 

Who I Think Should Win (based upon performance)

Best Picture

Argo, Django Unchained, Zero Dark Thirty or Life of Pi

Best Director

David O. Russell (Silver) or Ang Lee (Life of Pi) 
[although it should be Ben Affleck or Kathleen Bigelow, IMHO]

Best Actor

Hugh Jackman (Les Miz) or Bradley Cooper (Silver)

Best Actress

Jennifer Lawrence (Silver) or Jessica Chastain (Zero) or Quvenzahane Wallis (Beasts)

Best Supporting Actor

Christopher Waltz (Django) or Robert de Niro (Silver)

Best Supporting Actress

Anne Hathaway (Les Miz) or Helen Hunt (The Sessions)

Cinematography
Claudio Miranda (Life of Pi) or Robert Richardson (Django)

Film Editing
Tim Squyres (Life of Pi) or William Goldenberg (Argo)

Writing (Adapted Screenplay)
Chris Terrio (Argo) or Lucy Alibar & Benh Zeitlin (Beasts)

This has truly been the most remarkable year of film-viewing in my lifetime.  The array and diversity, the sheer imagination, of most of these nominated films make all movies in the last 20 to 30 years sort of irrelevant.  The performances of the actors and ensembles is just so top notch.  (If these "kids" Hugh Jackman, Bradley Cooper, Ang Lee, Quentin Tarrantino, Jennifer Lawrence, Jessica Chastain, Anne Hathaway, Behn Zeitland, Ben Affleck, Quvenzhane Wallis continue to set such a higher notch of excellence at their relatively younger age, then holy shit......how much will film making evolve after I'm gone???!  It's wonderful to think of?   When I was a kid, no one could even conjure a Meryl Streep.  Who will be the Meryl Streep when these kids have had full career?)

I hope they keep making more of these kinds of movies and not the stupid testosterone films or the cartoons or series.  This year's Oscars is evidence of why they should (although I will say that Skyfall is the best James Bond film ever and one of the best films of the year).

The LAST STATION Another fabulous movie

Boy, what can I say but 2009 was truly a distinguished year, IMHO, for movies. At least the movies that are up for Best Picture at the Academy Awards. The problem is, while this select few represent a really interesting spectrum of subjects/topics, there is really a dearth of quality movies made these days.

In fact, there is a dearth of films made these days, period.

Anyway, the Bug and I toddled on over to the Cinema Palme d'Or yesterday to catch The Last Station which is one of the last Best Picture candidates that we hadn't seen. Neither of us had a clue about what the movie was about. We knew only this: it was nominated for Best Supporting Actor and Best Actress and its cast included the goddess Helen Mirren and that hottie James McAvoy.

I seldom read film reviews because I couldn't care less what a critic thinks of a movie. If I wish to see a movie, then I'll see the movie, critically drubbed or not. I don't watch tv. So I learn about new films and their subject matter by trailers or online or occasionally the Sunday newspaper.

But I somehow knew nothing about The Last Station (actually the same was true for An Education....I only knew vaguely that it took place in the 60s). How fun is that? What a wonderful surprise we had.

The Last Station is about the final months in the life of Leo Tolstoy, in early 1900's. Christopher Plummer, nominee for Best Supporting Actor, portrays the master writer and his wife, Countess Sofya Tolstoy, is played in usually brilliant fashion by La Mirren (who is nominated for Best Actress).

And then there is that remarkably fetching and talented James McAvoy. What a wonderful string of films he has made (my favorite film last year, Atonement, before that, The Last King of Scotland. Oh, and one of my other favorite movies, Becoming Jane). He brings an earnestness to the character of Valentin Bulgakov, who is Tolstoy's secretary (everytime he sneezes my heart breaks). This is an interesting character and I can't think of any other actor who could have brought a better interpretation than McAvoy. Valentin is an idealistic Tolstoyan, a practicing virginal celibate, who passionately believes in the tenets of the Tolstoyan Movement: brotherly love and world peace through pacifism, and a denouncement of material wealth and physical love.


Paul Giamatti is brilliant as the Movement's villainous leader, Vladimir Chertkov.

But this move is absolutely astonishing because of the dueling tour de force performances of Plummer and La Mirren.

I have to say that Mirren, in my opinion, is the only other Best Actress nominee, besides Sandra Bullock, who should win the award based upon performance. I haven't seen Precious yet, will see it this afternoon. So I may have to revise my opinion. But I still think Bullock will win. Mirren already has a Best Actress and I think Bullock will win because this is her one true shot at the award and she also set such a huge example for female stars with The Blind Side, which is the highest grossing film starring a major female actress, currently at $250million (domestic).

I haven't seen Jeff Bridges performance yet. He's my sentimental favorite. But Plummer should win Supporting actor........talk about a career! Father Von Trapp needs and Academy Award.

GO see The Last Station. A beautiful, magnificent film.

One observation for those more well-versed on Tolstoy or Russian History. After seeing this movie, I'm wondering if the Tolstoyan Movement didn't pave the way for the Russian Revolution? Anyone have anything to add. It seemed that, as depicted in The Last Station, that the Movement was anti-religion, anti-Tzar. Given that Tolstoy was so beloved by the people, he was even considered Saint-like, that kind of power and influence would have been the only thing capable of undermining the monarchy and the Russian orthodox church.

Tell me if I'm right/wrong.......Interesting thought though.

AN Education A TRULY FABULOUS movie

Well the final countdown is on. Only a few more days until my favorite show (along with the Tony's): the Academy Awards.

The Bug and I went to see An Education yesterday. Absolutely perfect film and completely original and unique, as are most of the nominated Best Films of the year. From my perspective, based upon the films up for Best Picture, this has been a great year for the industry (I do NOT concur with this conclusion when I visit a video rental store).

This film is magical and its lead actress, Carey Mulligan, gives a performance that is incandescent and on the level of Holly Golllightly by Audrey Hepburn. The comparison with this screen goddess are numerous. But unlike the flighty (in one of my favorite films of all times, Breakfast At Tiffany's see previous blog post). Holly, Jenny, although a bit naive is quite grounded. This almost 17-year old is more mature than all of the other adults that surround her.

The movie is a coming of age film of a young, beautiful and precocious girl, Jenny, growing up in the 60s London who falls in love with a playboy almost twice her age. The young girl, who is attending a prep school in preparation for Oxford, enters a sophisticated world that is at first enchanting and that is completely enchanted by Jenny.

This film benefits from a brilliant script by Nick Hornsby (based upon a memoir by Lynn Barber). The bon mots are numerous and I laughed and cried my way through this movie, much as I did with Up In the Air and The Blind Side.

This film, also benefits from a tour de force ensemble cast: Emma Thompson, Peter Sarsgaard, Alfred Molina, and the delicious eye candy Dominc Cooper. Rosamund Pike gives a brilliant performance as Helen, a not so dumb, dumb blonde.

The thing that I relish about this film is that our heroine, Jenny, is smart, extremely sophisticated (precociously), funny, fun-loving, principled teenager who navigates her way through a despicable, albeit appealing cast of characters.

So, the real question is: Who shall be the Best Actress winner? Carey certainly deserves it. But my money and opinion is still on Sandra Bullock. That performance was career defining especially after a very lengthy run. Ms. Mulligan I hope has a similar long career ahead as well with more Oscar possibilities. This actress is truly unique. She has a similar quiet intelligence, beauty and humor truly evocative of Audrey Hepburn. It might have been the script and great casting but somehow I think this was a unique alchemy of a good script, a good casting agent and an actress who had the awareness and that certain je ne cest quoi, to bring magic to an already magical movie (even the scene above is evocative of Breakfast At Tiffany's when Holly came to visit George Peppard through the window of his bedroom).

And the Soundtrack is amazing. Thanks to my friend Staci Pope in the beautiful city of Austin for sending me the soundtrack.

Bug and I also rented and watched Coco Before Chanel. It was my second time to see (see previous post) but it was equally as compelling. A brilliant performance by Audrey Tautou.

I hope to see these films before Sunday: The Last Station, Precious, A Single Man.

What did you think of An Education?

MOVIES and the weekend...and thoughts about Best Picture Academy Award AVATAR v HURT LOCKER

VS

This weekend I saw two of the front runners for Best Picture Oscar: Avatar and The Hurt Locker. Man is this a tough one. These two movies are truly apples and oranges.

I saw Avatar in 3D at IMAX theater and it is easily the most unique film experience of my life. It is a beautiful film. And it is landmark, no doubt, and not JUST because it is the highest grossing film of all time (NOT adjusted for inflation and by the way that does make a huge difference). The movie is cinematically flawless. It is a masterpiece. But there are some problems with it. I think the whole beginning of the movie is very vague. It also goes a little overboard in depicting the Marine colonel as one-dimensional. It bordered at times on being a little too Disney-esque. That being said though, it is a profound story and is filled with a lot of provocative, intelligent, and complex themes (it is without a doubt a strong pro-Environment, anti-Republican party message but it really is a very spiritually evolved film as well). It is truly such a landmark film that one has to give it the title "one of the greatest films ever made." But it still has some flaws. That Sam Worthington is one mighty fine little hottie. It was also great seeing Sigourney Weaver.

The Hurt Locker is really a perfect film. It has no flaws. Unless you consider the fact that it is a very depressing film a flaw, which I don't. It is truly one of the more emotionally difficult movies I've seen in my lifetime. The only other one that I can think of is Deer Hunter. It is a stunning film though. The acting is tour de force. It is a relentless movie and it doesn't flinch or allow the viewer to shirk from facing the realities of Iraq, the War on Iraq, the Iraqi people, etc. Set in war-torn Baghdad the film tells the story of a unit of three soldiers whose responsibility is to safely disable bombs that have been set. It is a brutal film in every way. It also is one of the more balanced films that I think I've ever seen. The citizens of Baghdad (terrorist and non) watching from the buildings in the various scenes where SFC William James (the film's main character) moves towards the incendiary devices was an interesting perspective: who is the villain? Who was the invade in those scenarios? I don't know if this was intentional but I just thought the whole movie avoided, and amazingly so, being judgmental in any way, which seems to me it's greatest accomplishment. (There were two appearances by major actors that I was glad to see: Ralph Fiennes and Guy Pearce.)

So Avatar has some flaws and The Hurt Locker doesn't. But ultimately the sheer scale of Avatar I think gives it a little bit of leeway; I think it should win the Best Picture, even though there are some weak aspects.

I also saw The Blind Side again yesterday, which I was thrilled was included in nominations for Best Picture. Contrary to what critics said, I thought the film amazingly transcended itself, primarily because of the remarkable performances from Sandra Bullock (I wasn't previously a huge fan of hers by the way) and Quinton Aaron, who plays Michael Oher. This film could have been just a passable feel-good movie for white-bread, Republican, Christians. It ends up being a unique balance of humor and poignancy, and for that the director deserves kudos. In most hands this would have been a second rate movie with similar performances. But it really is an excellent piece of film making. I should add that I am now certain that Sandra Bullock SHOULD win Best Actress for this role, despite the fact that I LOVE La Streep and the film Julia and Julia. I just believe that Bullock delivers a tour de force, emotionally nuanced, technically perfect performance. When I first saw the movie I thought that this role for Bullock was like Julia Robert's Erin Brokovich: a singular career best. (These performances are so uniquely realized by the actresses in ways that no other actress perhaps could have, if that makes sense?) But I didn't think she would have a chance because well....she was Sandra Bullock and Meryl Streep is......La Streep. But the fact that The Blind Side, having earned almost $250 domestically (which even Streep has never done....not Angelina Jolie, not Julia Roberts, not even Reese Witherspoon or Cameron Diaz) is the highest grossing film with a major actress in the title role and was nominated for Best Picture, I think, has paved the way for Bullock to deservedly win. This is a major thing for all actresses, this box office revenue accomplishment. It means more actress driven films will be made, I hope! Which is a fantastic thing as far as I'm concerned (I'm not much of a testosterone film lover).

I think I've seen now, with the exception of Precious and A Single Man, all of the truly serious contenders for Best Picture Academy Award.

Inglorious Basterds was completely overrated, although I did enjoy Diane Kruger's performance. Up In The Air (as I blogged about in previous posting) is brilliant and a perfect film, with incredible performances by Clooney and his two co-stars. It is a true accomplishment for Jason Reitman. But compared to Avatar and The Hurt Locker it just doesn't stand up to that level.

I will see Precious next, then A Single Man. And then I think I'm prepared to have an opinion on who SHOULD win the major awards. Although often that is not who wins. I'm usually pretty astute about who will win, whether or not I have a personal opinion. So watch and see how my predictions do. This year is an interesting year. The only sure award is Jeff Bridges for Best Actor. I haven't seen that movie or A Single Man to see Colin Firth, the other major contender so I don't have a personal opinion. I just think Jeff Bridges will win. It's his time after a long career with brilliant performances in very unique movies.

Another interesting characteristic of Academy Awards this year is that major money makers don't usually translate to Academy Award esteem. But Avatar's accomplishment is so significant and historic and The Blind Side's as well. Can't say the same for the stupid film Transponder can you? A film, I should add, I refuse to see.

Well here's my Oscar opinions and predictions on the major awards at the moment:

Best Film
Should Win: Avatar
Who Will Win: Avatar

Best Actor
Should Win: undecided
Who Will Win: Jeff Bridges

Best Actress
Should Win: Sandra Bullock, The Blind Side
Who Will Win: Sandra Bullock, The Blind Side

Best Director
Should Win: Kathryn Bigelow, The Hurt Locker
Who Will Win: James Cameron, Avatar

I'd love to hear your thoughts as well?

2010 Oscar Nominations

And here they are, in case you haven't heard: the 2010 Oscar nominations (not any surprises). I've made predictions as well (three gold stars)....will do this again (predict) when time draws nearer to ceremony. The predictions are, I should add, not preferences. Meaning I don't necessarily agree with the prediction. The films with * are the ones that I have seen.

What do you think?

Academy of Motion Picture Arts and Sciences

82nd Oscar Nominations

Best picture

"Avatar" *** *
"The Hurt Locker" *
"Precious: Based on the novel 'Push' by Sapphire"
"Up in the Air" *
"Inglourious Basterds" *
"Up" *
"The Blind Side" *
"District 9"
"An Education" *
"A Serious Man"

Actor

George Clooney, "Up in the Air" *
Jeff Bridges, "Crazy Heart" ***
Colin Firth, "A Single Man"
Morgan Freeman, "Invictus"
Jeremy Renner, "The Hurt Locker" *

Actress

Meryl Streep, "Julie & Julia" *
Sandra Bullock, "The Blind Side" *** *
Gabourey Sidibe, "Precious: Based on the novel 'Push' by Sapphire"
Helen Mirren, "The Last Station" *
Carey Mulligan, "An Education" *

Supporting actor

Matt Damon, "Invictus"
Woody Harrelson, "The Messenger"
Christopher Plummer, "The Last Station"
Stanley Tucci, "The Lovely Bones"
Christoph Waltz, "Inglourious Basterds" *

Supporting actress

Vera Farmiga, "Up in the Air" *
Mo'Nique, "Precious" ***
Anna Kendrick, "Up in the Air" *
Penelope Cruz, "Nine" *
Maggie Gyllenhaal, "Crazy Heart"

Director

Quentin Tarantino, "Inglourious Basterds" *
Kathryn Bigelow, "The Hurt Locker" *
James Cameron, "Avatar" ***
Lee Daniels, "Precious: Based on the novel 'Push' by Sapphire"
Jason Reitman, "Up in the Air" *

Animated feature

"Up" ***
"Coraline"
"Fantastic Mr. Fox"
"The Princess and the Frog"
"The Secret of Kells"

Original screenplay

"The Hurt Locker" ***
"Inglourious Basterds"
"The Messenger"
"A Serious Man"
"Up"

Adapted screenplay

"District 9"
"An Education"*** *
"In the Loop"
"Precious"
"Up in the Air" *

Best foreign-language film

"Ajami"
"El Secreto de Sus Ojos"
"The Milk of Sorrow"
"Un Prophète"
"The White Ribbon"

Best film editing

"Avatar" *
"District 9"
"The Hurt Locker" *** *
"Inglourious Basterds" *
"Precious"

Art direction

"Avatar" ***
"The Imaginarium of Doctor Parnassus"
"Nine" *
"Sherlock Holmes"
"The Young Victoria"

Cinematography

"Avatar"***
"Harry Potter and the Half-Blood Prince"
"The Hurt Locker" *
"Inglourious Basterds" *
"The White Ribbon"

Costume design

"Bright Star"
"Coco Before Chanel" ***
"The Imaginarium of Doctor Parnassus"
"Nine"
"The Young Victoria"

Best documentary feature

"Burma VJ"
"The Cove" *
"Food, Inc."
"The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers"
"Which Way Home"

Documentary short

"China's Unnatural Disaster: The Tears of Sichuan Province"
"The Last Campaign of Governor Booth Gardner"
"The Last Truck: Closing of a GM Plant"
"Music by Prudence"
"Rabbit à la Berlin"

Makeup

"Il Divo"
"Star Trek"
"The Young Victoria"

Music (original score)

"Avatar" ***
"Fantastic Mr. Fox"
"The Hurt Locker"
"Sherlock Holmes"
"Up"

Music (original song)

"Almost There" from "The Princess and the Frog"
"Down in New Orleans" from "The Princess and the Frog"
"Loin de Paname" from "Paris 36"
"Take it All" from "Nine"
"The Weary Kind (Theme from "Crazy Heart") from "Crazy Heart"

Short film, animated

"French Toast"
"Granny O'Grimm's Sleeping Beauty"
"The Lady and the Reaper"
"Logorama"
"A Matter of Loaf and Death"

Short film, live action

"The Door"
"Instead of Abracadabra"
"Kavi"
"Miracle Fish"
"The New Tenants"

Sound editing

"Avatar" *
"The Hurt Locker" *
"Inglourious Basterds" *
"Star Trek" *
"Up"*

Sound mixing

"Avatar" *
"The Hurt Locker" *** *
"Inglourious Basterds" *
"Star Trek" *
"Transformers: Revenge of the Fallen"

Visual effects

"Avatar" *** *
"District 9"
"Star Trek" *