Film Actresses who SHOULD HAVE won an ACADEMY AWARD but haven't yet....

Okay, so I have a beef to pick with the film industry.  Why haven't these outstanding actors not yet won an academy award.   Each of them have been nominated multiple times and their film portfolios are remarkable.  Is it that there aren't enough scripts written for females?  I'm pissed.  Every single one of these women should win and Academy in the near future.

Thoughts?  Did leave someone off the list.   I considered Cameron Diaz but wasn't sure that she is in this league, yet.  Although I love her and her all of her work.

Michelle Pfeiffer (nominated for three Best Academy Actress awards)



Glenn Close (nominated for six Best Actress or Best Supporting Academy Actress awards.....she has won THREE Tony Awards for her stage work)



Laura Linney (nominated for three Best Actress or Supporting Academy Actress awards)


Julianne Moore (nominated for four Best Actress or Supporting Academy Actress awards)


Annette Bening ( nominated for four Best Actress or Support Academy awards)

Just saw THE FAMILY with DeNiro and Pfeiffer. Hysterical new movie

 Just returned from seeing The Family, or "Malavita", written, directed and produced by Luc Besson (“La Femme Nikita,” “The Professional”).  

Although the NY Times savaged it, I disagree completely with the critic's review.  

It is was very funny.   Very well acted by the ensemble cast.  It also had some interesting plot twists.  

Robert Giovanni Manzoni (Robert DeNiro) and Michelle Pfeiffer (Maggie Blake) and their two teenage children Belle Blake (Diana Argon) and Fred Blake (played by newcomer John D'Leo) are a mobster family who are living in Normandy France in the FBI's witness protection program.



It was like a modern day version of The Adams Family.....except that these characters were the essence of New York mobsters.   Murder, destruction, chaos, brutality, and illegal activities are just an every day occurs for each of the Blake family members.

The other star of the film was the word, my favorite word, Fuck.   

These people are so bad that the priest kicks Maggie out of church after she gives her confession.   But they are just a typical family.

Dark humor and a lot of violence!   But what a great movie experience.  Sure, the plot is a little far-fetched, but this wasn't meant to be "Goodfellas".  It is a film of satire.

Pfeiffer is magnificent.   As is Robert DeNiro.   But these two performances are almost stolen by the young actors who portray the Blake children.

Great ending too.

Thank God summer is over and the shit movies are finished.   Finally my season for seeing films has begun.  Will see "Austenland" tomorrow.

CHERI--beautiful movie starring Michelle Pfeiffer about courtesans--Colette's classic--OH and PEARLS!

I had the mean reds yesterday, as Holly Golightly called really bad depression (you can read about my love for the movie and novella, Breakfast At Tiffany's, in a previous blog http://markgsmusings.blogspot.com/search/label/Breakfast%20at%20Tiffany%27s). It was even more appropriately called "red" instead of "blue" because the chief reason for the predicament was the raging inferno that I live in called the Desert. It's like living in Seattle with the constant rain. Too much of one thing, without end (at least weather-wise), can be maddening and saddening. So the Bug (my mother, Junebug) and I braved the scorching heat and went to a chilly dark theater. It was delicious.

Run to the theater to see this magnificent film about two aging courtesans in France during the Belle Epoque and a cute boy. You can look at my other posts about my fascination with courtesans....but this perfect movie simply fuels my passion.

Cheri ("dear" or "sweetheart" in French) is a film based upon the novel by the French writer Colette: "Post-war, her writing career bloomed following the publication of Chéri (1920). Chéri tells a story of the end of a six-year affair between an aging retired courtesan, Léa, and a pampered young man, Chéri. Turning stereotypes upside-down, it is Chéri who wears silk pajamas and Léa's pearls, and who is the object of gaze. And in the end Léa demonstrates all the survival skills which Colette associates with femininity. (The story continued in La Fin de Chéri (1926), which contrasts Léa's strength and Chéri's fragility and decline)."



There are so many remarkable things about this movie but the chief one is Michelle Pfeiffer. She is simply gorgeous and I'm not sure anyone could have played this role except for Catherine Deneuve, but I think maybe she's had a bit too much "work". Pfeiffer obviously, hasn't, and that is what gives this film its character, and makes the goddess Pfeiffer even more exquisite. This movie is about beauty or the losing of it. Watch the two next clips with interviews with the goddess herself to see what I mean:



and:



The second thing about the film is its absolute passion and devotion to beauty. Every set is filled with amazing color combinations, every film shot is slavishly devoted to creating the perfectly gorgeous shot. Be it the scene on a Biarritz beach looking down at the blue waves that match perfectly Pfeiffer's blue dress. Or be it the alabaster sculpting of Rupert Friend's (Cheri) body as he makes love to his young wife. Every scene is ravishing. The costumes are sumptuous....even the debauched old aging courtesans at Maxim's are clothed exquisitely. This film should be made into a coffee table book of film stills. I could study the photographs forever.

The third thing about this film is its tour de force cast. Kathy Bates gives a bawdy and gutsy performance that could in less capable hands have been nothing but a hamfest. But when she laughs, as we saw in the film clip, there is nothing but pure ribald honesty. Rupert Friend is beautiful in a monstrous sort of way.

I've read references to Lea as a "cougar" which is superficially true and rather funny. But this film (and the book) are really about a great love affair. It is also about the strength of women.....which transcend a one-dimensional "cougar" viewpoint. Lea and Cheri are deeply in love and in many ways perfectly suited for each other. The problem is that one was born too early and the other too late (I'm paraphrasing a line from the movie)

I just cannot praise this film enough. But ultimately one has to acknowledge that such an accomplishment would not have been possible without the performance of Michelle Pfeiffer who obviously shines from the direction of the master director Stephen Frears. This is a movie that someone should see more than once because it is a film of nuances. A perfect film of amazing beauty and at least for me is an instant "classic".

Finally, I should say that I LOVE pearls: black pearls, white pearls. They are more exquisite than diamonds. They are perfection to me. I've always lamented that men can't wear pearls. Well in this film Cheri wears pearls and demonstrates, in the wedding scene, why I think men and pearls as a fashion rule has found its time and should be accepted and implemented immediately! See what I mean? Very handsome, indeed!